Beautiful Desolation feature

Post-apocalyptic adventure game, Beautiful Desolation, releases on February 26th

The Brotherhood, a leading adventure game developer and the creators of critically acclaimed STASIS and CAYNE, today announced that Beautiful Desolation will release on February 26th. Moreover, the team revealed the game’s official PC requirements that you can find below.

Beautiful Desolation continues The Brotherhood’s 2D isometric adventure game aesthetic and delves into a post-apocalyptic world set in the distant future. Players can explore the iconic landscape, solve puzzles, meet new friends and make powerful enemies. Players will also mediate conflicts and fight for their life as they unravel the secrets of the world around them.

Furthermore, players can look forward to award-winning composer and sound designer, Mick Gordon’s work on the soundtrack. Mick Gordon is a prominent industry name and is known for his work on score titles such as DOOM, Wolfenstein: The New Order and Microsoft’s Killer Instinct.

Lastly, you can find below the game’s PC requirements.

MINIMUM:

    • Requires a 64-bit processor and operating system
    • OS: Windows 7 64-bit or newer
    • Processor: Intel Core i3 @ 2.50 GHz / AMD Phenom II X3
    • Memory: 4 GB RAM
    • Graphics: DirectX 11 Compatible
    • DirectX: Version 11
    • Storage: 14 GB available space
    • Sound Card: Any DirectX Compatible Sound Card

RECOMMENDED:

    • Requires a 64-bit processor and operating system
    • OS: Windows 10 64-bit or newer
    • Processor: Intel Core i5-2400 @ 3.10 GHz / AMD Phenom II X6 1100T
    • Graphics: NVIDIA GeForce GTX
    • DirectX: Version 11
    • Storage: 14 GB available space
    • Sound Card: Any DirectX Compatible Sound Card
Beautiful Desolation

3 thoughts on “Post-apocalyptic adventure game, Beautiful Desolation, releases on February 26th”

  1. Gordon has a few good tracks in DOOM (2016) that add to the experience and actually push you towards aggresive gameplay but from what I heard from DOOM Eternal it sounds like noise for noise’s sake.

    I prefer Michael Mccann of Squenix Deus Ex fame, his ambient track in those two games are marvellous. Wish he was also working on Cyberpunk 2077. But Paul Leonard Morgan (composer of Dredd 2012) is great too.

Leave a Reply

Your email address will not be published. Required fields are marked *